Create50 founder, author, filmmaker and directors of LondonSWF and TEDxEaling
Co-ordinating all your deliciously dark tales and loving every moment of it.
Looking forward to digging her teeth into the warm flesh of ‘Twisted’.
Viktoria joined Create50 after kicking ass with After Effects. Now she has stepped up to managing all the digital assets for Twisted50.
SALT OF THE EARTH Draft 3 by Ken Daw written for The Impact:50 // A salt-of-the-earth Southern farmer learns of a coming extinction-level asteroid strike and takes his family's fate into his own hands rather than allowing God and nature to once again determine the course in his life.
SKY-LAB 2 Draft 2 by Michelle Carr written for The Impact:50 // A family say their last words to a mother who is working on a reconnaissance mission in space. As the asteroid hits and all communications are lost, there are words that remain unspoken and the mother must watch her family disappear before her eyes.
STIFF UPPER LIP Draft 1 by Mark Wilson written for The Impact:50 // Discrete butlers struggle to break the news to their elderly gentlemen without breaking the no-talking rules in an elegant members-only club.
SWEET AND SOUR (PREVIOUSLY BROWN NICKERS) Draft 4 by Kooi Glendinning written for The Impact:50 // An elderly Chinese woman, desperate to be with her newborn grandson, makes the journey on a motorbike, driven by her first-time rider, wannabee biker husband.
Sam Black's Widow - Draft 1 by Antonia Fenton.doc Draft 1 by Jane Paterson written for Twisted50 // When a do-gooder drops in to check on an elderly neighbour, she is unaware of the memento the embittered old widow plans to keep of her visit
Sanctuary (A Silver Load Story) Draft 3 by Steve Pool written for Twisted50 // An old and weary Wulf seeks solace in drugs and the world of smell. But he must rouse himself once more when a pack of humans begins to hunt him.
See you when the sunshine's up. Draft 1 by lewis rice written for The Impact:50 // Whilst on a camping trip miles from civilisation, Two teachers debate on whether to inform the young children in their care that the world is about to end.
Shock and Awe (formerly: Ground Control to Major Tom) Draft 4 by Stuart White written for The Impact:50 // It is not the end....it is not even the beginning of the end...
Sitting by the river with Annette Draft 2 by Tracey Parsons written for The Impact:50 // A family of pretend pirates encounter a grieving woman who might inadvertently tell the kids what's really going on.
Sitting in an English Garden waiting for the ... Draft 1 by peter nicholson written for The Impact:50 // Sitting in an English garden waiting for the sun, if the sun don't come you get hit by a dirty great rock
Sod's Law Draft 1 by John Bale written for The Impact:50 // Jenny just wants to read her book in peace, but the end of the world and the creepy guy who lives across the street have other plans for her.
Sodor & Gomorrah Draft 3 by Nick Twyford written for Twisted50 // Obsessed with a mysterious and hidden train line that runs near his house, a young man's search for answers leads to his eternal regret...
Something I Need to Tell You Draft 2 by Kieron Moore written for The Impact:50 // Cara had been putting out coming out for too long. With the help of her teddy and the imminent apocalypse, now's the time.
Somewhere In A Parallel Universe I - The Movie Draft 2 by KT Parker written for The Impact:50 // On a remote film set, the producer breaks the bad news and hits on a brilliant idea for the last take of the film.
Somewhere In A Parallel Universe II - The Sequel Draft 2 by KT Parker written for The Impact:50 // Dick has just three minutes to write an Oscar-worthy closing scene for the last movie ever when he gets distracted.
Somewhere In A Parallel Universe III - The Franchise Draft 2 by KT Parker written for The Impact:50 // Moments before the impact, a producer rallies cast and crew to put aside their difference and film the best ever last scene.